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UNWARRANTED, UNSOLICITED WRITING ADVICE #2: Metaphors, similes, cliches

Any metaphor you employ should be original while offering the reader a new perspective on the object you are describing. Ditto similes—it should be apparent to the reader exactly what you are describing, and should make her see it in a new way.

Cliches are not allowed, except in the dialogue of an unsympathetic character, or a character who is stupid or portraying stupidity. One possible exception to this rule is a novel or unexpected remixing of a cliche in a way that, like the metaphor and simile, should expose the reader to a new view.

Our storyteller gathered her small charges around the fire. The wind howled outside, always prying and trying to squirm inside to steal what little warmth emanated from the forlorn cast-iron stove. The children huddled under blankets to keep out the cold, and to still the shivers that come from a scary tale. Tonight promised both.

She waited for the children to settle in and stop their fussing. The older ones held their younger siblings close – on laps, in the crooks of small arms, inside their shirts to let the babies sleep. The storyteller looked down on a pool of wide eyes while the stove murmured to itself and cast its meager glow on the upturned, hopeful faces.

An excerpt from, Madrigal, Jeff Barr’s elegantly titled, endearing tale that’s unlike anything you have ever read.   (via jukepopserials)
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